8/27/2023 0 Comments Best lossless cd ripperMany times I've started ripping, only to abandon the process and leave the files on an old computer or hard drive. They are just sitting in a corner of my apartment. Concentrate on “identifying” tags rather than classification tags, which you can add later but add considerable work to library management.I've like 100+ CDs that have probably not been listened to in a decade. I would advise starting with the bare minimum metadata schema. You can either put yourself in someone else’s hands (for example Roon is an excellent and very usable “shim” over your music collection) but the trouble with that is future use if the metadata doesn’t end up in your music files, you can’t transfer this organisation into another music player. Library management has not been discussed much but I think it is very important for ongoing usability. Stick them away, archive them, they become a last resort backup in case your proper backups fail and the worst happens. The most important reason to rip lossless is that, by never losing data, you never have to go back to the CD again. Compression is not the same thing as losslessness – you can compress a data stream lossless and recover the original data stream. Other than keeping Seagate in business and maybe an increase in convenience if you often find yourself using WAVs I don’t really see the point of ripping to WAV.Ĭompression *does not matter* to the quality of the data. But I’ve not actually heard the case of someone being able to reliably tell the difference between a WAV playback and a FLAC version of the same file.Īpple Lossless is another lossless compression format, but has not been as widely adopted as FLAC (but iTunes can play it). Some well-respected audio engineers will tell you that for the highest fidelity, you should play WAV files instead of FLAC because the on-the-fly decompression of the FLAC file could theoretically affect the quality of the digital-to-analogue conversion. MusicBrainz Picard is a great drag-and-drop app for tagging the metadata in MP3s and AACs. That way I have a FLAC file for critical listening and archival purposes plus a smaller AAC file that can be added to iTunes and played on my phone. Then transcode the FLAC file to AAC (again, using xld). My workflow is to rip my old CDs to FLAC format using xld (on a Mac. It also open source and allows for metadata tags, which as far as I know, WAV does not (until your post, I had never heard of anyone using BWF for personal use, especially any audiophiles). Can anyone make some recommendations to Ankur?įLAC is a compressed format but is still lossless, so it is the ideal format for archiving your music from a storage space perspective (a FLAC file converted back to WAV should be identical to the original WAV). Thank you for your time! I hope you might be able to answer these questions, as I have been obsessing over ripping CDs to perfection over the past year!Īs someone who hasn’t paid much attention to CD ripping for a couple of years, I’m hesitant to offer any kind of advice. ![]() the exact same audio quality, so therefore uncompressed), just with additional metadata capabilities.Īlso, does my internal optical drive in my computer really matter? I figure if I’my using a program with AccurateRip, then I should be good to rip away using the drive that came with my computer, correct? This confuses me, as every article and forum I’ve read about BWF states that BWF is an extension or upgraded version of WAV (i.e. However, I am corresponding with dBpoweramp’s support, and when I ask them how to rip to BWF instead of WAV, they insist that BWF is lossy (and is an MP2 files wrapped as a WAV), not uncompressed or even lossless. ![]() I was also wondering if you knew much about the format Broadcast Wave Format (BWF), which from what I understand is a WAV file, but with additional information-storing capabilities, and therefore is highly regarded for archiving and professional radio practices by music archivists (for example, as mentioned in Section 2.8.2 in the IASA-TC 04 by the International Association of Sound and Audiovisual Archives: 2: Key Digital Principles | International Association of Sound and Audiovisual Archives). My plan is to only use programs that utilise AccurateRip, so dBpoweramp is my first choice, and if that does not work (for example, if a disc is scratched and dBpoweramp has difficulty with it), then other backup programs are Exact Audio Copy and foobar2000. I was wondering, how would you recommend I rip my CDs? I am set on an uncompressed format, so WAV, AIFF, or uncompressed FLAC (I cannot decide between them, so I have settled on all three). I have always ripped CDs, but over the past year I finally clued in on things like audio quality and audio formats. I had a few questions about CD ripping, and I figured you might have some answers. This email arrived from Ankur. Looks like a crowdsourcing job.
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